Title: Bastard Sons Of A Rock And Roll Devil
Year Of Release: 1996
Label: Hellraiser Records/Knockout Records
Genre: Psychobilly, Rockabilly
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 42:37
Total Size: 116/296 Mb (scans)
01 Halloween (Tribute)
02 Straight Down To Hell
03 You Scare Me (Not)
04 Nightmare On Elche (Alicante Breakdown)
05 Kattle Slut
06 5 For Her, 3 For Him
07 Body Count (Punish The Innocent)
08 Load Up
09 Kat Killer
10 Be My Slave
11 Psychobilly Stomp (The Real McCoy)
12 Slow Down You Grave Robbing Bastard
Combining a revved-up variant on the classic rockabilly sound with a tongue-in-cheek obsession with horror movies and cartoonish violence, the Meteors were the U.K.’s leading psychobilly outfit, and often proudly declared that they were the only true exponents of the style (though history records that the Cramps were serving up their own ghoulish mix of rockabilly and horror first). The Meteors were the brainchild of guitarist and vocalist Paul Fenech, who first made a name for himself in the late ’70s as a member of the British rockabilly group the Southern Boys. After a spell, Fenech and Southern Boys upright bassist Nigel Lewis teamed up to form a two-man rockabilly combo, Rock Therapy; drummer Mark Robertson was added to the lineup in 1980, and the group adopted a new name, Raw Deal.
In Heaven While Raw Deal was beginning to attract attention among rockabilly fans and had landed spots on compilation albums, Fenech decided to give the group a new image. They adopted a punk-inspired look, added a mock-sinister undertow to their music, and adopted lyrics inspired by horror films such as The Hills Have Eyes and Blue Sunshine. Needing a new name to go with their new image, they began calling themselves the Meteors. In 1981, the group released its first album, In Heaven, issued as part of an ill-fated deal with Island Records, but the band’s real breakthrough came with 1983’s Wreckin’ Crew, which featured a hit single cover of "Johnny Remember Me." By this time, Lewis and Robertson were both out of the band, replaced with Mick White and Steve "Ginger’ Meadham taking over on bass and drums, respectively; frequent personnel turnovers would be regular part of the Meteors’ story from this point forward, with Fenech the sole constant though literally dozens of lineups.
The band remained a popular attraction in the United Kingdom and Europe, touring frequently and releasing recordings at a steady pace through the 1980s and ’90s, though it gained only a cult following in the United States. In the fall of 2000, Fenech announced that the Meteors would be giving up live performances following a swing through Germany, but to the relief of fans, he reconsidered and a few years later yet another lineup of the group was touring regularly and hard at work on new recordings.